Simple + Humble Pots
Becca Watz
At my house, I mostly use slabbed-made dishes that are imperfect and not made on the potter’s wheel.
Slabbed work is awkward, imperfect, and organic.
I appreciate this type of aesthetic for my daily meals.
I like un-pretentious pottery.
I favor this same attribute in people.
When it comes to making pots, I strive for good craftsmanship.
Good craftsmanship can be found in both, slabbed and wheel work.
I work on my pottery skills because I like to make things look finished and well done.
I have studied the art of ceramic’s and I honor the history and culture of it.
I will forever hear the voices of my teacher’s, not because I need their approval, but because I heed their advice.
They arrived way before me.
They knew things before me and chose to share share that wisdom with me.
I truly respect the things that they have taught me.
I love rigid learning when it comes to technique, at the same time I honor the softer, playful, and more accepting side of me.
The side that says, “I see how you are showing and telling me to do it, but I want to try it my way, first.” This usually does not turn out so great, but it feel’s great and I love that part of it!
I like when something feels charming, but just a little bit flawed.
Like the perfect smile, with a slightly crooked tooth.
I choose my friends this way, too.
I appreciate pottery that is functional, yet aesthetically beautiful.
I lean toward utilitarian designs that keep me rooted in family and home, but finish with an extra level of silky glaze that exclaims my desire for I am fabulous within my own means.
A good finishing glaze is important to me.
I prefer pieces that are durable and can function in my average daily life. Something, that I do not have to be overly careful with when handling after a good meal or with my morning coffee.
I prefer charming, well-crafted pieces that can stand up to the test of time, family, friends, and daily life.
becca